Regardless of these administrative problems, the WPA workers were highly productive. The largest number of people in WPA was employed in engineering and construction projects where most of the money from the WPA was directed. One of the most powerful collections compiled by the FWP writers is that of the Slave Narratives consisting of more than two thousand oral histories from black Americans who had formerly been slaves. These programs, collectively called Federal One, allowed the various types of artists to work in the areas of their profession. The Slave Narratives include the transcripts of interviews with almost 2,300 Americans who were once slaves. As the administrators studied the situation of Depression-era youth, however, they determined that many had dropped out of school, often before completing the eighth grade. The movie starred Hank Azaria, John Cusack, Joan Cusack, Bill Murray, and Cherry Jones as Hallie Flanagan. The National Youth Administration (NYA) was a New Deal agency sponsored by President Franklin D. Roosevelt in the United States that focused on providing work and education for Americans between the ages of 16 and 25 (Williams, 1937). Even classic plays received a new treatment when produced by the Federal Theatre Project. . In addition many Southerners objected to employment programs that would compete with domestic services for black American women. The specific characteristics of the WPA, however, particularly its specific inclusion of artists and actors, grew out of the 1920s. It was these programs that were most innovative, most controversial, and of most enduring interest in American history. On September 28, 1937, President Franklin Roosevelt described his perspective of WPA projects at Timberline Lodge on the upper slopes Mt. The work was sometimes wonderful, often bad, and occasionally very critical of America, capitalism, and the government. They'd better be, for it takes a long time to get America straightened out. Sculptors created monuments, and actors and musicians were paid to perform. 53-54. Involved in the organization of unions, socialists and Communist activity was on the rise in the United States. Seen in this light, critique helps drive intellectual inquiry. The WPA gave some 8.5 million people jobs. The 1920s also saw dramatic growth in the amount and diversity of art and music throughout the United States and the world. Early in the program, some complained that WPA workers would dig a hole and other WPA workers would fill it in. The committee searched for communist influence the WPA projects. A significant aspect of the Works Progress Administration was the Federal Project Number One, which had five different parts: the Federal Art Project, the Federal Music Project, the Federal Theatre Project, the Federal Writers' Project, and the Historical Records Survey. Flanagan, the director of Vassar College's Experimental Theatre, was recruited by Harry Hopkins to lead the Federal Theatre Project. Construction included more than five hundred municipal water systems, almost three hundred hospitals, and more than five hundred schools. The WPA as a federally administered work relief program was a huge undertaking. While the FTP had regional groups and tour groups that played widely, the center for theater was New York, and it was in New York that the FTP was most innovative. This Timberline Lodge marks a venture that was made possible by W.P.A., emergency relief work, in order that we may test the workability of recreational facilities installed by the Government itself and operated under its complete control. Artists painted thousands of pictures, and made thousands of posters and sculptures. Americans were increasingly organizing to fight for improvements in their daily lives. They placed special emphasis on the Federal Writers' Project and the Federal Theatre Project. The Woodrum Committee heard several months of testimony, and, like the HUAC committee in the 1950s, was often more concerned with influencing public opinion against communism than finding the truth about Federal One. Apparently the people who have borne the burnt of the long depression have kept the desire to work to get back on their feet. Roosevelt, Franklin D. The Public Papers and Addresses of Franklin D. Roosevelt. Millions of Americans attended free concerts and plays, learned to paint, and saw "professional" art. 2023
. Hearings were held and passionate defenses were offered. Triple-A Plowed Under called for farmers and consumers to work together against greedy middlemen at a time when millions did not have enough to eat, and food rotted in warehouses because no one could afford to pay for it. The astonishing thing is that so little trace of lost morale can be found in the records. Many conservatives also felt that the WPA, and in particular Federal One, was promoting liberal or even communist views. The unions were demanding better working conditions and better wages. It was part of the Works Progress Administration (WPA), a New Deal program. Dies and Thomas believed that the projects were subversive. The FTP came under increasing criticism for its reportedly "Communist-influenced" portrayals and was on the verge of being disbanded just as the production was about to premier. . Low wages were one way that the WPA jobs were made less attractive. Roosevelt and Hopkins wanted to be sure that the WPA did not compete with private enterprise. The most striking thing about them is how very American they are , He represents the millions whose lives have been upset by the long depression but who are neither too sick nor too old to scramble for a toe-hold. The unemployment, while upsetting, was part of a "natural" cycle that would inevitably improve. WPA arts programs drew frequent criticism from Congress and the lay public. While the gallery laughed, the damage to the Federal Theatre Project from the hearings was done. Many of the discussions about government-sponsored art are still held today, as controversial artists receive government grants, or have government grants repealed. By design the subjects many painted were subjects from everyday life: a fishery, or steel workers, or the poor. WPA workers built or repaired 1.2 million miles of culverts and laid 24,000 miles of sidewalks. Even many among the more financially well off believed that both morality and practicality required a more equal approach to wealth and the benefits it accorded. In the early 1940s many of the WPA projects were transferred to various wartime agencies. President Franklin D. Roosevelt created the WPA with an executive order on May 6, 1935. With the audience beginning to line up outside the closed theater, an alternative theater 21 blocks away was found. "Works Progress Administration 1935-1943 One of the most popular productions was the Negro Unit's production of Shakespeare's Macbeth, directed by Orson Welles. Socialists and Communists felt that the WPA was a way of preventing a more basic change in U.S. society, and states-rights advocates felt that the federal government was taking away authority that rightly belonged to the states. Work Projects Administration (WPA), former U.S. government agency, established in 1935 by executive order of President Franklin Delano Roosevelt as the Works Progress Administration; it was renamed the Work Projects Administration in 1939, when it was made part of the Federal Works Agency. The guidebooks and the oral histories remained as their New Deal legacy. Alternate titles: WPA, Work Projects Administration. Some politicians criticized the WPA for its inefficiencies. Our editors will review what youve submitted and determine whether to revise the article. In 1935, Congress also passed the Emergency Relief Appropriation Act, which authorized the single largest expenditure at that time in the country's history: $4.8 billion. This concern seemed to fizzle after the early days of the WPA as it became clear that much of the art was critical of the government. Federal One made a significant contribution to documenting a history that might otherwise have been lost. February 2000, v. 34:17. A major concern regarding "the dole" in the 1930s was the impact on the self-esteem of the recipients. New York City: Henry Holt and Company, 1999. New York City: Routledge, Chapman & Hall, Inc., 1986. In New York he gained an education from Columbia University and the New School for Social Research. The largest and most important of the New Deal cultural programs was the Works Progress Administration (WPA), a massive employment relief program launched in the spring of 1935 -- the beginning of FDR's "Second New Deal," as his second term came to be known. Fewer Americans were self-employed and more worked in factories. Businesses including banks closed. The unemployed organized to fight for jobs, and tenants organized to fight for better housing. The message delivered to the New York state legislature asking for unemployment relief legislation was a signal of what would be coming to Congress two years later (as quoted in June Hopkins, p. 154). The testimony represented a fairly thorough assessment of the program after almost two years of operation by its top administrator (as quoted in Charles, pp. What if the government-sponsored art was bad art? Because of racial segregation and discrimination in the South, many more black Americans in the North were able to participate in NYA programs than those in the South. As the House Committee on Un-American Activities began hearings on Federal One, the FTP was singled out for particular criticism. The WPA arts programs led to the later creation of the National Foundation of the Arts. Many criticized the wages as insufficient and a punishment for being jobless. Flanagan believed that theatre should both educate and entertain. The WPA Guides: Mapping America. Bascom, Lionel C. Many women on relief did not have a work history and were not, therefore, considered part of the labor force. Flanagan wanted the theatre to be as broad and courageous as the American mind. A Renaissance in Harlem: Lost Essays of the WPA, by Ralph Ellison, Dorothy West, and Other Voices of a Generation. The WPA had had from two to three million on its rolls. The workers at HRS undertook a huge effort to compile and analyze the inventories of state and county records. But the WPA was also something more than a work relief program, and that was also part of the design. President Roosevelt's goal was to provide employment to individuals currently on direct relief. The Federal Theatre Project received the most virulent criticism for undermining traditionally held American values by the U.S. Congress. Small concessions, such as work relief, delayed the revolution. Regardless, the WPA was immensely important to a great many people, putting money in their pockets and hope for the future. Even among those who were judged unemployable by these boards, one in eight was able to find work in the prosperous period of 1937 , There can, of course, be a scarcity of labor and a surplus at the same time, because workers are not all alike. A children's play about beavers fighting the human destroyer of their dam was considered to support workers rising up against business owners. Artists created motivational posters and painted murals of U.S. national parks and American scenes in public buildings. Studies showed that beyond the meager income the WPA provided, many workers reaped significant psychological benefits from working compared to accepting relief. Despite these attacks, the WPA is celebrated today for the employment it offered to millions during the darkest days of the Great Depression, and for its lasting legacy of smartly designed, well-built schools, dams, roads, bridges and other buildings and structuresmany of which are still in active use across the United States. Research what buildings, art projects, theatre productions or other WPA project impacted your community. The economy would in turn be stimulated by the increased purchasing power of the newly employed, whose wages under the program ranged from $15 to $90 per month. In the trauma of the Great Depression, demonstrations and rebellions were increasingly common. Bindas, Kenneth J. Injunction Granted dramatized the anti-union actions of the courts. Cahill was born in St. Paul, Minnesota. YOUTH ADMINISTRATION, NATIONAL (NYA) was established by executive order on 26 June 1935 as a division of the Works Progress Administration (WPA). In addition they created surveys of portraits and manuscript collections in public buildings and church archives. Throughout its brief history, the WPA wrestled with how to make the jobs sufficiently attractive to boost the morale of the unemployed workers, without making them so attractive that the workers would prefer them to private employment. Harry Hopkins, who had been chief of the Federal Emergency Relief Administration and the Civil Works Administration during 1933 and 1934 . . First Lady Eleanor Roosevelt lobbied FDR to sign the executive order establishing Federal One. But the public also suspects that government workers are being causal with the public's money. Each industry itself likewise should bear a part of the premium for this insurance, and the State, in the interest of its own citizens, and to prevent a recurrence of the widespread hardship of these days, should at least supervise its operation. They wanted black American women to be available to work as maids and cooks in white people's homes for low wages. Parrish, Michael E. Anxious Decades: America in Prosperity and Depression 19201941. By that time, unemployment was less than two percent as many Americans transitioned to work in the armed services and defense industries. The extraordinary contribution of the WPA workers significantly improved the infrastructure of the United States within a relatively short time. The WPA was just one of many Great Depression relief programs created. 59 views, 0 likes, 0 loves, 2 comments, 0 shares, Facebook Watch Videos from City of Spencer, Iowa: Spencer City Council Meeting from Council Chambers During the earliest days of the WPA there were problems effectively allocating workers and choosing projects. While governor of New York before becoming president, Franklin Roosevelt publicly expressed some of his earliest views on government relief programs in the summer of 1931. Workers claimed that relief without work was okay to keep from starving, but it damaged self-respect. He believed direct relief to be debilitating and demoralizing. Senator from Mississippi from 1898 to 1901 and served in the U.S. House of Representatives briefly before that. Within the Cite this article tool, pick a style to see how all available information looks when formatted according to that style. Do Americans really like to work, or would they rather loaf? New York: Random House, 1941. Many of the projects completed under Federal One documented some aspect of American culture such as its folklore or its music. In 1935 slavery had been illegal for 70 years. Would creativity be constrained? The agencys construction projects produced more than 650,000 miles (1,046,000 km) of roads; 125,000 public buildings; 75,000 bridges; 8,000 parks; and 800 airports. Franklin D. Roosevelts New Deal. That the plea was written in Icelandic did not deter the horror at the inclusion of a political message in a work of art. Even in the relatively prosperous 1920s, challenges to the existing economic system were growing. When Roosevelt became president he recruited Hopkins to implement his various social welfare programs including from 1935 to 1938 the Works Progress Administration. The men would be employed on projects requiring little investment, such as cleaning neighborhoods and digging drainage ditches. To meet this threat, Roosevelt asked Congress to pass additional New Deal legislationsometimes called the "Second New Deal"in 1935. Helena, MT: Falcon Publishing, Inc., 1999. Mitchell believed that the low wages of the WPA represented a surrender of the U.S. Government to big business. If high school students could not contribute while in school, they were likely to quit to try to find work. Despite his reluctance to continue direct relief, shortly after founding the CCC, Roosevelt established the Federal Emergency Relief Administration. Flanagan defended her program before a Congressional Committee, but the FTP was disbanded in 1939. 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